{"id":1335,"date":"2015-03-19T16:20:00","date_gmt":"2015-03-19T07:20:00","guid":{"rendered":"http:\/\/160.16.84.102\/lang\/hibun\/activity\/?p=1335"},"modified":"2022-11-26T14:18:35","modified_gmt":"2022-11-26T05:18:35","slug":"2014%e5%b9%b4%e5%ba%a6","status":"publish","type":"post","link":"https:\/\/www.hss.shizuoka.ac.jp\/lang\/hibun\/activity\/?p=1335","title":{"rendered":"2014\u5e74\u5ea6"},"content":{"rendered":"

\u3010\u7814\u7a76\u4f1a\u3011<\/p>\n

\u7b2c25\u56de\u4f8b\u4f1a\uff082014\u5e746\u670826\u65e5\uff09<\/p>\n

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\"viewimg[1]\"<\/a><\/p>\n

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\"1014614_10204893308829162_4819806807259203486_o[1]\"<\/a>
\n\"10466959_10204899802351496_8581978256403146582_o[1]\"<\/a><\/p>\n

 <\/p>\n

\u300e\u7ffb\u8a33\u306e\u6587\u5316\uff0f\u6587\u5316\u306e\u7ffb\u8a33\u300f\u7b2c10\u53f7<\/p>\n

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\u2015\u300cR\uff0e\u30b7\u30e5\u30c8\u30e9\u30a6\u30b9\u300e\u3070\u3089\u306e\u9a0e\u58eb\u300f\u3092\u3081\u3050\u3063\u3066\uff08\u8b1b\u6f14\u9332\uff09\u300d<\/p>\n

 <\/p>\n

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Thomas Eggenberg<\/em>, \u201cBrieftaschen, Eier und Wunder<\/strong><\/p>\n

Von der Schwierigkeit, das richtige Wort zu finden\u201d<\/p>\n

\u3010\u8ad6\u6587\u3011<\/p>\n

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Steve Corbeil\uff08\u30b3\u30eb\u30d9\u30a4\u30e6\u3000\u30b9\u30c6\u30a3\u30fc\u30d6\uff09, \u201cWhen a Director Remakes His Own Film: A Comparative Analysis of Ozu Yasujiro\u2019s A Story of Floating Weeds <\/em>and Floating Weeds\u201d<\/em><\/strong><\/p>\n

\u5b89\u6c38\u611b\u300c\u30d7\u30f3\u30af\u30c8\u30a5\u30e0\u3068\u3057\u3066\u306e\u6587\u5b66\u2015\u30d1\u30c8\u30ea\u30c3\u30af\u30fb\u30e2\u30c7\u30a3\u30a2\u30ce\u306e\u65b9\u6cd5\u300d<\/p>\n

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 <\/p>\n

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\u6851\u5cf6\u9053\u592b\u300c\u95bb\u9023\u79d1\u306e\u5c0f\u8aac\u306b\u307f\u308b\u502b\u7406\u300d<\/p>\n

\u82b1\u65b9\u5bff\u884c\u300c\u539f\u4f5c\u30fb\u6620\u753b\u30fb\u30ea\u30e1\u30a4\u30af\u3092\u3081\u3050\u308b\u300c\u502b\u7406\u7684\u300d\u554f\u984c\u306e\u8907\u96d1\u3055\u2015\u6620\u753b\u300e\u4ed6\u4eba\u306e\u5bb6\u300f\u3068\u300e\u6298\u308c\u305f\u69cd\u300f\u3001\u30ea\u30d9\u30e9\u30ea\u30ba\u30e0\u306e\u9650\u754c\u3068\u8d64\u72e9\u308a\u3092\u3081\u3050\u3063\u3066\u2015\u300d<\/p>\n

\u5c71\u5185\u529f\u4e00\u90ce\u300c\u300c\u8ab0\u3067\u3082\u306a\u3044\u3082\u306e\u300d\u306e\u58f0\u304c\u751f\u3058\u308b\u3068\u304d\u2015\u30de\u30a4\u30b1\u30eb\u30fb\u30d1\u30fc\u30de\u30fc\u3068\u30a2\u30fc\u30f4\u30a3\u30f3\u30b0\u30fb\u30da\u30c8\u30ea\u30f3\u300d<\/p>\n

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Steve Corbeil, \u201cImamura Shohei\u2019s adaptatiob of Nosaka Akiyuki\u2019s The Pornographers<\/em>: Ethical Representations of Translating the Unwritten\u201d<\/p>\n

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